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‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

The Values of *Critique*

Introduction: AI and the Future of Literary Studies

Recentring Water: Thinking with the Chain of Ponds

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Transforming *Jane Eyre*: Its Australian Stage Adaptations

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

Out of Context: A Study of Thomas Keneally’s Novels

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

Editing A.D. Hope

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Annual Bibliography of Studies in Australian Literature: 1978

Annual Bibliography of Studies in Australian Literature : 1979

Christina Stead: A Checklist

Fred J. Broomfield: Research Assistant Extraordinaire

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*