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Official Criticism? Critical Practices and Australian Poetry

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Treating Dora in *His Natural Life*

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

In the Beginning: David Malouf’s *An Imaginary Life*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*