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Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

The Modernist Sacred: Randolph Stow and Patrick White

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

Once We Were a Discipline: Stray Thoughts on English

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

Poetry, Activism and Cultural Capital

Towards the Source of ‘The Wanderer’

Review of *The Red Professor: The Cold War Life of Fred Rose*

Introduction

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

Christina Stead’s Earliest Publications