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- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- The Fiction of Gabrielle LordEssay1 October 1999
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004