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Back to Whitton Week: Tracking Tom Keneally's Career

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Christina Stead: An Interview

Christina Stead: A Checklist

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

Demidenko/Darville: A Ukrainian-Australian Point of View

Unknown Australia: Rosa Praed’s Vanished Race

‘But who considers woman day by day?’: Australian Women Poets and World War I

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

The Author of *The Hibernian Father*: An Early Colonial Playwright

Australia’s ‘First’ Dramatists

The Writing of Capricornia

Catherine Helen Spence, Unitarian Utopian

Burke and Wills and the Colonial Hero: Three Poems

Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig Leichhardt

Review of *Xavier Herbert* by Laurie Clancy

Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley Walker

Review of *A Tragic Vision: The Novels of Patrick White* by A.M. McCulloch