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- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Recollections Through English SpectaclesEssay1 October 1979
- Review of Letters of Norman LindsayReview1 October 1979
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015
- Kendall’s Views on Contemporary Writers : A Survey of His CorrespondenceEssay1 June 1964
- Some Poems of Judith WrightEssay1 May 1968
- The Writing of CapricorniaEssay1 May 1970
- 'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?Essay1 May 1981