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- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Counter-PoeticsEssay1 June 2011
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014