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- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Jindyworobaks and AboriginesEssay1 May 1977
- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009