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- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- ‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s ReadersEssay1 November 2013
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)Essay30 September 2021
- Teaching the Value of Literature (and Other Paradoxes)Essay30 October 2023
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Henry Lawson: The New Zealand VisitsEssay1 May 1968
- Annual Bibliography of Studies in Australian Literature : 1984Essay1 May 1985
- Annual Bibliography of Studies in Australian Literature: 1993Essay1 May 1994
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- Colonial Violence and Forgotten FictionEssay1 June 2009
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Inner Voices and the First CoilEssay1 October 1979
- Asia and the Contemporary Australian NovelEssay1 October 1984
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015