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- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- What is Australian Popular Fiction?Essay3 December 2018
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Folie, Topography and Family in Murray’s Middle-Distance PoemsEssay1 October 2001
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Brunton Stephens as Literary CriticEssay1 December 1965
- Some Poems of Judith WrightEssay1 May 1968
- Rosa Praed’s Colonial HeroinesEssay1 May 1981
- D.H. Deniehy as a Critic of Colonial LiteratureEssay1 May 1980
- Introduction: Why Pastoral?Essay30 June 2015