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- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- Colonial Violence and Forgotten FictionEssay1 June 2009
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985