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War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

[Statements about War Literature]

Barbara Hanrahan’s Novels

The Poetry of Les Murray

Asian Stereotypes in Recent Australian Plays

From the Sudan to Saigon: A Critical Review of Historical Works

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

Drama’s Vitallest Expression: The Fiction of Olga Masters

Shirley Hazzard: Transit and *The Bay of Noon*

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Truth beyond the Language Game: The Poetry of Gwen Harwood

‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

Vance and Nettie Palmer: The Literary Journalism

The Structure of Frederic Manning’s War Novel *Her Privates We*

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

‘realer than the Real’ : Francis Webb’s 'Ward Two'

The Support of Literature in Colonial Australia

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction