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Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Introduction: The Uses of Irish-Australian Literature

Jack Lindsay’s Historical Writings

Some Developments in Short Fiction, 1969-1980

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

Jack Lindsay and MI5: More than Surveillance

Adam McCay and Sydney’s Literary Bohemia (1911-1947)

Voss and His Communications: A Structural Contrast

War Poetry: Myth as De-formation and Re-formation

American Dreaming : The Fictions of Peter Carey