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- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- Bruce Dawe and Frank Sargeson : Speaking in Other VoicesEssay1 May 1983
- Anthologies and OrthodoxiesEssay1 May 1987
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Marcus Clarke and the TheatreEssay1 May 1975
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Australian Literature: Points for DepartureEssay1 October 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007