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Urban Influence on Australian Literature in the Late Nineteenth Century

Jindyworobaks and Aborigines

Price Warung: Some Bibliographical Details and a Checklist of the Stories

‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

Alan Seymour

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Kate Baker, ‘Standard-Bearer’

The One-Actor Play in Australian Drama

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Italian Immigrants in Australian Fiction 1900-1950

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Poetry and Politics in Oodgeroo: Transcending the Difference

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism