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Dying of Landscape: E.L. Grant Watson and the Australian Desert

Brereton, the *Bulletin*, and A.G. Stephens

The Literary Reputation of Adam Lindsay Gordon

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Reading English

Where Literary Studies Is, and What It Does

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Daemonic Currents in Dorothy Porter’s Poetry

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Irish-Australian Literature: Ghosts, Genealogy, Tradition

Grievous Music: Randolph Stow’s Middle Ages

Reading in Public: Irene Longman and Citizenship

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review