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- Review of *Locating Australian Literary Memory*, by Brigid MagnerReview29 October 2020
- Starting a Journal : ALS, Hobart 1963 : James McAuley, A D Hope and Geoffrey DuttonEssay1 October 2000
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-RowstonReview30 September 2022
- Review of *Transcultural Ecocriticism: Global, Romantic and Decolonial Perspectives*, edited by Stuart Cooke and Peter Denney.Review11 December 2022
- Review of *A World of Fiction: Digital Collections and the Future of Literary History*, by Katherine BodeReview5 July 2019
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna JohnstonReview25 May 2024
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for ChildrenEssay9 July 2018
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018