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Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Veronica Brady’s Biography of Judith Wright

Dying of Landscape: E.L. Grant Watson and the Australian Desert

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Mid-Victorian Reading and the Antipodes

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

Future Tense: *Dead Europe* and Viral Anti-Semitism

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Minding Elephants and the Rhetorics of Destruction

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Delight and Revolution: Literary Studies, Aesthetics and Ideology

Irish-Australian Literature: Ghosts, Genealogy, Tradition

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives