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The One-Actor Play in Australian Drama

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Man, Work and Country: The Production of Henry Lawson

Towards a History of Literary Programming on ABC Radio

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

The Solitariness of Alex Miller

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

*Geoffry Hamlyn* and Its Australian Setting

‘Talking with Yagan’s Head’: The Poetry of John Mateer

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

The Telling of Marmel’s Story

An Indian without a Country

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada