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- Review of *The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry*, by David BrooksReview1 June 2012
- Reading DickensEssay1 October 2014
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Notes on the Early Unpublished Manuscripts of Peter CareyEssay1 October 2010
- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Annual Bibliography of Studies in Australian Literature: 1989Essay1 May 1990
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Afterword: The Story of a BookmarkEssay1 June 2013
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Annual Bibliography of Studies in Australian Literature: 1995Essay1 May 1996
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the CurriculumEssay19 September 2017
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021