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All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Mid-Victorian Reading and the Antipodes

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Of Sages and Sybils: Alec Hope and Judith Wright

Review of *Bluestocking in Patagonia*, by Anne Whitehead

The Golden Fish: On Reading J. S. Harry

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

The Eco-Humanities as Literature: A New Genre?

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print Culture

Delight and Revolution: Literary Studies, Aesthetics and Ideology

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Cosmopolitanism, Sovereignty and Medievalism

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

H. G. Wells in Australia

Short Fiction Short Nation: The Ideologies of Australian Realism