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- Alan SeymourEssay1 May 1974
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999