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- Poetry, Activism and Cultural CapitalEssay1 November 2013
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Repairing Rationality: Max Bense and the Automation of Literature in Post-War GermanyEssay22 December 2025
- H. G. Wells in AustraliaEssay30 May 1990
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Annual Bibliography of Studies in Australian Literature: 1983Essay1 May 1984
- Annual Bibliography of Studies in Australian Literature: 1997Essay1 May 1998
- Annual Bibliography of Studies in Australian Literature: 1992Essay1 May 1993
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- Annual Bibliography of Studies in Australian Literature: 1998Essay1 May 1999
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Writing Places in the Spaces of AIEssay22 December 2025