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- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- Review of *Australian Writers* by L.J. BlakeReview1 May 1969
- 'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?Essay1 May 1981
- Authors’ Statements [Frank Moorhouse]Essay1 October 1981
- David Malouf and the Language of ExileEssay1 October 1982
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- Review of *The Directions of Australian Fiction 1920-1974* by D.R. BurnsReview1 May 1976
- Mary and William Gilmore : A Family NoteEssay1 October 1972
- Research in Progress in Australian Literature [1973]Essay1 October 1973
- Marcus Clarke: *Long Odds* and the 1873 Melbourne CupEssay1 October 1974
- Revaluing Australian Legends: Some Plays by Jack HibberdEssay1 May 1978
- Thomas Keneally and the Scheme of ThingsEssay1 May 1979
- A Frame of Reference: Rosemary Dobson’s Grace Notes for HumanityEssay1 May 1981
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990