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- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- *The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s PoetryEssay1 May 2011
- Counter-PoeticsEssay1 June 2011
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Reading EnglishEssay1 June 2013
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- English Studies in Australia: Repositioning the SubjectEssay1 June 2013
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- A Lady’s Letter from London: 1873-1908Essay1 October 1984
- Review by Craig MunroReview1 May 1991
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016