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- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012