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Shirley Hazzard: Transit and *The Bay of Noon*

Family and the Father in the Poetry of Les A. Murray

Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s Biography

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Alan Seymour

The One-Actor Play in Australian Drama

Boundary Crossing: The Novels of David Foster

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Neither Here Nor There: Suburban Voices in Australian Poetry

My Brilliant Career and 1890s Goulburn

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

The Solitariness of Alex Miller

Excavating a Bonanza: Sarah Campion