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- Helen Garner’s *Monkey Grip*: The Construction of an Author and Her WorkEssay1 October 1992
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- The Fiction of Gabrielle LordEssay1 October 1999
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon WatsonEssay1 October 2007
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Vincent Buckley’s ‘Stroke’ : A DiscussionEssay1 October 1969
- Review of *A Study of Christopher Brennan's The Forest of Night* by A.R. Chisholm; and *The Letters of Hugh McCrae* selected by Robert D. FitzgeraldReview1 October 1971
- Authors’ Statements [T. A. G. Hungerford]Essay1 October 1981