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- Challenging Voices: Tracing the Problematic Role of Testimony in Political ChangeEssay1 October 2006
- Review of *Reclaiming Romanticism: Towards an Ecopoetics of Decolonization*, by Kate RigbyReview30 April 2021
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Place, History and Story: Tony Birch and the Yarra RiverEssay5 May 2016
- Repairing Rationality: Max Bense and the Automation of Literature in Post-War GermanyEssay22 December 2025
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Annual Bibliography of Studies in Australian Literature : 1984Essay1 May 1985
- The Values of *Critique*Essay30 October 2023
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024