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- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Bruce Dawe and the AmericansEssay1 October 1979
- Inner Voices and the First CoilEssay1 October 1979
- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- Asia and the Contemporary Australian NovelEssay1 October 1984
- Means and Ends in WritingEssay1 October 1979
- The Making of Thomas KeneallyEssay30 May 2015
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Shaw Neilson’s PoetryEssay1 December 1966
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- The Prototype of Richard MahonyEssay1 May 1970
- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971