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What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

The D.H. Lawrence - P.R. Stephensen Letters

A Lost Satire on the 1890s *Bulletin* Writers and Bohemians

Challenging the Editing of the Rachel Henning Letters

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

Introduction: The Uses of Irish-Australian Literature

The Values of *Critique*

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles

Simon During, Crisis Talk and the Legacies of the 1980s

Asia and the Contemporary Australian Novel

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Asia, Europe and Australian Identity: The Novels of Christopher Koch

The Poetry of Les Murray