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Some Mary Gilmore Letters

‘The Orange Tree’ and the Limitations of Poetry

Patrick White’s Novels and Nietzsche

Last Flight to Byzantium: *Memoirs of Many in One*

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Transgressing Language?: The Poetry of Ania Walwicz

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

An Indian without a Country

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Valerie Solanas and the Limits of Speech

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century