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- Grant Watson and the Aborigine: A Tragic Voice in an Age of OptimismEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Annual Bibliography of Studies in Australian Literature: 1976Essay1 May 1977
- Some Mary Gilmore LettersEssay1 October 1972
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- An Indian without a CountryEssay1 June 2009
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011