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- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs OverEssay15 December 2025
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Coetzee’s WomanizingEssay25 February 2018
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- Interview with David MaloufEssay1 May 2010
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- Inner Voices and the First CoilEssay1 October 1979
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Society and Nature in Such is LifeEssay1 December 1963
- Louis Stone’s ‘Jonah’ : A Cinematic NovelEssay1 June 1965
- A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary BackgroundEssay1 October 1982
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972