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Means and Ends in Writing

Symbolism and the Antipodes: The Fallen Woman in Caroline Leakey’s *Lyra Australis, or Attempts to Sing in a Strange Land*

My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters Pertaining

John Tranter: Absence in Flight

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

Anthologies and Orthodoxies

Olivia and Chloe: Fictions of Female Friendship

‘Interest’ in Les A. Murray

Impossible Literary Histories

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Annual Bibliography of Studies in Australian Literature: 1976

Daniel Deniehy: A Checklist of Writings and Speeches

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

An Interview with Archie Weller

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Neither Here Nor There: Suburban Voices in Australian Poetry

Ern Malley and His Rivals