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Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Daniel Deniehy: A Checklist of Writings and Speeches

Ways of Seeing : Henry Lawson’s ‘Going Blind’

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Italian Immigrants in Australian Fiction 1900-1950

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Worlds Apart? Finnish Translations of Australian Literature

An Absence of Partisanship

Man, Work and Country: The Production of Henry Lawson

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

The Solitariness of Alex Miller

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair