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- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Art as Reflection in Jessica Anderson’s *Tirra Lirra by the River*Essay1 May 1986
- Editors’ Statements [Beatrice Davis]Essay1 October 1981
- A Checklist of Australian Prose of the Second World WarEssay1 October 1985
- Review of *Decolonising Animals*, edited by Rick de VosReview18 December 2023
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- ScatteredEssay1 October 1968
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Patrick White’s Novels and NietzscheEssay1 May 1980
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012