Your search for “white’s” found 49 results
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- Patrick White’s Use of ImageryEssay1 June 1966
- Introduction: Writing Disability in AustraliaEssay23 May 2022
- The Making of Thomas KeneallyEssay30 May 2015
- Since 1964 ...Essay30 May 2015
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’Essay1 May 1981
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- The Tennysons in Literary AdelaideEssay31 October 2015
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- Patrick White’s Four PlaysEssay1 June 1966
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- The Telling of Marmel’s StoryEssay1 June 2009
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024