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- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Annual Bibliography of Studies in Australian Literature: 1978Essay1 May 1979
- Since 1964 ...Essay30 May 2015
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Authors’ Statements [Dal Stevens]Essay1 October 1981
- The Getting of Wisdom : Not ‘Merry’ at AllEssay1 May 1977
- Review of *The Recollections of Geoffry Hamlyn*, *Maurice Guest*, and *The Journal of Annie Baxter Dawbin: July 1858 - May 1868*Review1 May 1999
- Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.Review28 October 2021
- Review of *Xavier Herbert* by Laurie ClancyReview1 October 1982
- Anzac, Literary Genre and MemoryEssay1 October 1996
- My Brilliant Career and RadicalismEssay1 October 2002
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Review of *Patrick White* by Brian KiernanReview1 May 1983
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986