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- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Introduction: AI and the Future of Literary StudiesEssay22 December 2025
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- Interview with Andrew TaylorEssay1 May 2004
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- First Steps toward a History of the Mid-Victorian Novel in Colonial AustraliaEssay1 May 2006
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Literary Aspiration and the Papers of William Gosse HayEssay9 July 2018
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021