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Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Official Criticism? Critical Practices and Australian Poetry

The Pursuit of Oblivion: In Flight from Suburbia

Interview with Andrew Taylor

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

The Time of Biopolitics in the Settler Colony

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Literary Aspiration and the Papers of William Gosse Hay

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Literary Festivals and Cultural Consumption

Themes and Imagery in *Voss* and *Riders in the Chariot*