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Gerald Murnane’s Class: A Review of *Murnane*, by Emmett Stinson

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

On Not Having Sex: Sumner Locke Elliott and Queer History

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*

Displaced Homelands in Gerald Murnane’s *Inland*

Introduction: AI and the Future of Literary Studies

Perceptions of the Enemy in Australian War Literature

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf

White Closets, Jangling Nerves and the Biopolitics of the Public Secret

Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and Milton

Official Criticism? Critical Practices and Australian Poetry