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- Review of *A World of Fiction: Digital Collections and the Future of Literary History*, by Katherine BodeReview5 July 2019
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983Essay5 May 2016
- Australian Letters and Postwar ModernityEssay1 October 2008
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*Essay1 October 1981
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Barry Oakley and the Satiric ModeEssay1 May 1975
- A SurveyEssay1 October 1977
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011