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- Interviewed by Martin HarrisonEssay1 October 1984
- Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban IntelligentsiaEssay1 May 1973
- Narrative Technique in LawsonEssay1 May 1980
- The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]Essay1 May 1992
- True Tales and False Alike Work by Suggestion: The Poetry of A.D. HopeEssay1 October 1990
- A Mate in PublishingEssay1 November 1994
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam ShoemakerReview1 May 1990
- An Interview with Thomas ShapcottEssay1 May 1997
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs OverEssay15 December 2025
- Inner Voices and the First CoilEssay1 October 1979
- Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016Essay9 July 2018
- Review of *The Memoirs of James Hardy Vaux, Including his Vocabulary of the Flash Language*, edited by Noel McLachlanReview1 June 1965
- Review of *Preoccupations in Australian Poetry* by Judith WrightReview1 December 1965
- ‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and EuphemismEssay1 June 1966
- Review of *On Dearborn Street* by Miles FranklinReview1 May 1982
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983