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‘Down at the Dump’ and Lacan’s Mirror Stage

Shirley Hazzard : Dislocation and Continuity

Fiction

Review of *After 'The Doll': Australian Drama since 1955* by Peter Fitzpatrick

Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*

New Directions Via *A Body of Water*

Kenneth Slessor and the Chinese

Review of *The Country of Lost Children: An Australian Anxiety*, by Peter Pierce

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

When ‘History Changes Who We Were’

Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

The Surrender to Truth in The Early Australian Novel

Havelock Ellis’s Australian Idyll

The Traditionalism of James McAuley

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Hal Porter, *The Tower* and the Quintessence of Porterism

‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen