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- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- Christina Stead: An InterviewEssay1 May 1974
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- Interview with Christina SteadEssay1 October 1980
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- Australia’s ‘First’ DramatistsEssay1 May 1969
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla ModjeskaReview1 May 1983