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From the Sudan to Saigon: A Critical Review of Historical Works

Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

The Sites of War in the Fiction of Thomas Keneally

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

‘Interest’ in Les A. Murray

Reopening the Case of Ada Cambridge

Representation and Particularity in Pastoral: Some Examples from *Walden*

Narrative Perspective and Cultural History in *Robbery Under Arms*

Vance and Nettie Palmer: The Literary Journalism

Recoil from Disorder: David Ireland’s *The Chantic Bird*

The ‘Literary Photographs’ of Henry Lawson

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Kate Baker, ‘Standard-Bearer’

Daniel Deniehy: A Checklist of Writings and Speeches

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Hal Porter, *The Tower* and the Quintessence of Porterism

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*