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- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- The Telling of Marmel’s StoryEssay1 June 2009
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- The Return of the Fairy: Australian Medievalist Fantasy for the YoungEssay1 October 2011
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Charles Rowcroft, For ExampleEssay1 June 1966
- Lawson’s Joe Wilson : A Skeleton NovelEssay1 June 1964
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- H. G. Wells in AustraliaEssay30 May 1990
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- Primary Sources for the Study of the Vocabulary of Nineteenth Century Australian EnglishEssay1 December 1964