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- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- Annual Bibliography of Studies in Australian Literature: 1966Essay1 June 1967
- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- Annual Bibliography of Studies in Australian Literature: 1978Essay1 May 1979
- Annual Bibliography of Studies in Australian Literature : 1979Essay1 May 1980
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988Essay1 May 1995
- The Drowned World of Kenneth SlessorEssay1 May 2001
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- Gender ButtonsEssay1 November 2009
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010