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Towards a History of Literary Programming on ABC Radio

Picturising Patois in *The Sentimental Bloke*

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Technologies of Literature: Reading, Judgment, and the Large Language Model

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

A.G. Stephens: The Critical *Credo*

Editing A.D. Hope

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Demidenko/Darville: A Ukrainian-Australian Point of View

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Patrick White, Saul Bellow and the Problem of Literary Value

Interview with David Malouf

‘A Window of Life’: Essays on Ruth Park

Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral Elegy

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Joseph Furphy, Jacobean