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- Christina Stead’s Earliest PublicationsEssay7 December 2016
- William Hay and History : A Comment on Aims, Sources and MethodEssay1 December 1965
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- Decomposing Suburbia: Patrick White’s PerversityEssay1 November 1998
- Interview with Andrew TaylorEssay1 May 2004
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Barbara Kingsolver’s Singing Shepherd: *The Lacuna* as Pastoral ElegyEssay30 June 2015
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Interview with Thomas Keneally, Manly, 27 June 2012Essay30 May 2015
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982